Following on from the release of his much-loved studio album 'Drive The Blues Away' earlier this year, Seattle-based artist Timothy Robert Graham is back once again to deliver his stunning new EP 'Could Be Worse'.
Capturing more of that bright and invigorating pop-rock aesthetic he has earned a reputation for, this new three-track collection makes for a beautifully warm and endearing listen. Filled with rich and shimmering textures, a soaring atmosphere, and his own vibrant vocals layered throughout, 'Could Be Worse' sees him continue his ascent as one of the more passionate names on the rise right now.
So with the new EP available to stream now, we sat down with him to find out more about his origins and what has inspired him most over the years.
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What was the first instrument you fell in love with?
When I was little I would bang on pianos, or play “pots and pans drums” with wooden spoons (thanks Nanna). I used to love listening to my mom play guitar as a kid. When I finally got someone to teach me an instrument it was the drums. I’d say that’s my first love. All about the rhythm.
What kind of music did you love when you were younger?
As a teen I got really into hardcore, punk, metal, anything that felt like the rage my little heart held from absolutely hating public school. When I was a little kid it was the Beatles, CCR, Led Zeppelin, or whatever my folks were into.
What was the first album you remember owning?
For my fifth grade birthday I got Nevermind by Nirvana, Dookie and Nimrod by Greeenday, The Color and The Shape by Foo Fighters, and The Presidents of The United States of America self titled. Good haul.
What is the one song you wished you could have written yourself?
Between the Bars by Elliott Smith.
Do you have any habits or rituals you go through when trying to write new music?
Singing without purpose. Singing while walking. Looking through my journal and seeing if any lines stand out and improvising melodies. I try to start with something that sings well and go from there.
Who are your favourite artists you have found yourself listening to at the moment?
All Day Gentle Hold by Porches
Roach by Miya Folick
My Soft Machine by Arlo Parks
If you could open a show for anyone in the world, who would it be?
Living, it would maybe be Phoenix…Locally I love Deep Sea Diver. And in a fantasy land, probably the Beatles because I still think they’re incredible after all these years.
What do you find is the most rewarding part about being a musician?
Feeling seen and understood, and having others feel the same way. The joy of a live show. Everytime I finish writing a song I think it’s a little miracle. I’m shocked and happy anytime I write something I’m not ashamed to show another person.
And what is the most frustrating part?
Writing 99 songs I’m not excited to share to get the one that’s got potential. Also expressing my feelings and not sounding hella corny is hard. But I aim to express, not impress as Miya Folick is quoted saying.
And what is the best piece of advice you have received as a musician?
When good ideas or lyrics stop showing up the song is done. Don’t put too much into a song. If you have too many ideas you probably have two songs. hmmm, and visualise a story or scene in your head. Include sense memory to help the listener dive into the song. Stuff like taste, smell, sound, body sensations, and what you see. Picked that up from Pat Pattison (Writing Better Lyrics) via a Dave Bazan interview.
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Timothy Robert Graham's new EP 'Could Be Worse' is available to stream now. Check it out in the player below.